Kubla Kahn an opium dream

By far the most intriguing question about this most intriguing of poems is "What does it mean?" -- if, indeed, it has or was ever intended to have any particular meaning. For the overwhelming majority of Coleridge's contemporaries, Kubla Khan seemed (as Lamb foresaw) to be no better than nonsense, and they dismissed it contemptuously. "The poem itself is below criticism", declared the anonymous reviewer in the Monthly Review (Jan 1817); and Thomas Moore, writing in the Edinburgh Review (Sep 1816), tartly asserted that "the thing now before us, is utterly destitute of value" and he defied "any man to point out a passage of poetical merit" in it.2 While derisive asperity of this sort is the common fare of most of the early reviews, there are, nevertheless, contemporary readers whose response is both sympathetic and positive -- even though they value the poem for its rich and bewitching suggestiveness rather than for any discernible "meaning" that it might possess. Charles Lamb, f...